Subject: fishy diffraction happenings !Date: 2006-11-16 17:26:00From: Don Lopp
Hi Mike:
"The formula works and there is nothing fishy about the images at the
web page".
I have serious doubts that the pictures on the web page are, "parts of
an image that is 89 inches, (8 feet 5 inches) in width. That is a
realy huge enlargement factor-and explains why most of the samples look
so bad."
Is there an explanation as to why the apparent DoF decreases as one
stops down, from f/8, down to f/32 ?
(For some strange reason, f/16 was skipped.)
I have viewed quite a few Macro stereo images, viewd in a Red Button,
44mm lensed, viewer which has a magnification factor of more than 5.7X.
Many of them were shot at f/stops as small as f/105.
Could you, please, indicate how terrible the 'macro' images should have
looked, "theoretically", if shot at f/105.
IMO, most were quite pleasant to view, even when magnified by more than 5X.
I have looked at my more than 250, "Modern Photography", lens test results.
Included, were 17 tests of lenses that stopped down to f/32.
Lens resolution tests of a 80-200mm Rokinon lens, in May of 1981.
lp/mm
f/4.5 66
f/5.6 66
f/8 75
f/11 75
f/16 59
f/22 53
f/32 53
Kodak T Max 100 film, developed in D 76.
Is there a logical explanation for the above,"real time", test results ?
I do not see any signs of serious degradation of the resolution test
results, as one stops down from f/8 down to f/22.
Is there any explanation for their appearance, on the web page, that the
f/11 shot has less DoF than does the f/8 shot ? Also, the f/22 shot
appears to show less DoF than does the f/11 shot.
Best regards,
DON
"The formula works and there is nothing fishy about the images at the
web page".
I have serious doubts that the pictures on the web page are, "parts of
an image that is 89 inches, (8 feet 5 inches) in width. That is a
realy huge enlargement factor-and explains why most of the samples look
so bad."
Is there an explanation as to why the apparent DoF decreases as one
stops down, from f/8, down to f/32 ?
(For some strange reason, f/16 was skipped.)
I have viewed quite a few Macro stereo images, viewd in a Red Button,
44mm lensed, viewer which has a magnification factor of more than 5.7X.
Many of them were shot at f/stops as small as f/105.
Could you, please, indicate how terrible the 'macro' images should have
looked, "theoretically", if shot at f/105.
IMO, most were quite pleasant to view, even when magnified by more than 5X.
I have looked at my more than 250, "Modern Photography", lens test results.
Included, were 17 tests of lenses that stopped down to f/32.
Lens resolution tests of a 80-200mm Rokinon lens, in May of 1981.
lp/mm
f/4.5 66
f/5.6 66
f/8 75
f/11 75
f/16 59
f/22 53
f/32 53
Kodak T Max 100 film, developed in D 76.
Is there a logical explanation for the above,"real time", test results ?
I do not see any signs of serious degradation of the resolution test
results, as one stops down from f/8 down to f/22.
Is there any explanation for their appearance, on the web page, that the
f/11 shot has less DoF than does the f/8 shot ? Also, the f/22 shot
appears to show less DoF than does the f/11 shot.
Best regards,
DON