Subject: TL120 tripod suggestions?Date: 2007-02-02 08:52:55From: jamesbharp
I just got back from a week in Las Vegas on business, and put my TL 120 through its
paces taking lots of twilight and night shots of all the neon signs.
I got some great shots, but several of my images suffered from motion blur due to this
camera being too darn heavy for my tripod. I would be interested to hear what tripods
have been working well for other TL 120 users. I'd like to get something with a quick
release plate, and I realize this probably won't be cheap.
Last time I was in Vegas I was chased out of the front of the Venetian casino because
security thought I looked like a professional photographer with my tripod. This time I
came armed with a "pod" camera support, and was able to get all the shots I wanted at the
Venetian by positioning the camera on various pillars and shelves. The pod kept the
camera perfectly still, which yielded some ultra sharp images. This underscored the fact
that my tripod wasn't managing to do this all the time.
I used rubber screw in lens shades and had no visible lens flare in numerous direct shots
of bright lights.
Jim Harp
paces taking lots of twilight and night shots of all the neon signs.
I got some great shots, but several of my images suffered from motion blur due to this
camera being too darn heavy for my tripod. I would be interested to hear what tripods
have been working well for other TL 120 users. I'd like to get something with a quick
release plate, and I realize this probably won't be cheap.
Last time I was in Vegas I was chased out of the front of the Venetian casino because
security thought I looked like a professional photographer with my tripod. This time I
came armed with a "pod" camera support, and was able to get all the shots I wanted at the
Venetian by positioning the camera on various pillars and shelves. The pod kept the
camera perfectly still, which yielded some ultra sharp images. This underscored the fact
that my tripod wasn't managing to do this all the time.
I used rubber screw in lens shades and had no visible lens flare in numerous direct shots
of bright lights.
Jim Harp