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Subject: Design fault in the 3d World system
Date: 2014-08-21 01:48:50
From: jpnivoix
Hello all,I wanted to ask if any of you has modified a 3D World,
or a 3D World compliant stereoscope like the Heydascope
to fit 80 mm lenses
instead of the regular 75 mm lenses ?

Let me explain why I think it would be very useful :

First of all, the 80x140 mm standard (thank you 3D world)
for the MF stereo frame seems a very good invention to me :
the former 6x13 (cm) standard, inherited from glass photo plates
of the nineteenth century, was simply not relevant for 120 format film rolls.
One of the arguments is very simple : the film height is (very close to) 61 mm
which makes it compulsory to cut it (about 1mm) when mounting,
otherwise the slides will simply not fit in the 6x13 frame :-(
Cutting a horizontal slice of the film (or worse, one on top/one in the bottom)
is a hazardous task and a real nuisance, without any benefit to the final image.

So I will only speak here about modern stereoscopes dedicated to 80x140 stereo slides.

All the stereoscopes that I know in this category are fitted with 75 mm lenses
particularly the 3D World STL viewer, the 3D World illuminated viewer,
and the 3D World mounting jig.
This is non-sense, and a terrible design fault from 3D World.

Indeed, rather than choosing 75 mm for the viewing lenses,
the mistake was to escape from ortho-stereocopic conditions
by selecting 80 mm taking lenses for the 3D World TL120 camera.
What we should be aiming at, now, would be to save the pictures
taken with this camera
by looking at them in a 80 mm stereoscope.

This way, the depth in our TL120 images would not be flattened
as it is right now.
While losing a little bit of immersion
(which the TL120 images in a 75 mm viewer have a lot, probably too much),
we could recover the complete (nothing more, nothing less)
third dimension which we are looking after.

J-Paul

Subject: Re: Design fault in the 3d World system
Date: 2014-08-21 07:39:05
From: Timo Puhakka
I am not sure of what you are saying. Is this the old argument about ortho vs non-ortho? In my experience a 5mm difference in viewer fl makes no noticeable difference to the viewer. I would expect that I have to rack out the lenses that much just to focus the slide for my aging eyes. This makes the image smaller for me. I prefer a larger image and would prefer a shorter lens to achieve it.

Am I missing something?

Timo
 

On 21-Aug-14, at 3:48 AM, jean-paul.nivoix@laposte.net [MF3D-group] wrote:

 

Hello all,I wanted to ask if any of you has modified a 3D World,
or a 3D World compliant stereoscope like the Heydascope
to fit 80 mm lenses
instead of the regular 75 mm lenses ?

Let me explain why I think it would be very useful :

First of all, the 80x140 mm standard (thank you 3D world)
for the MF stereo frame seems a very good invention to me :
the former 6x13 (cm) standard, inherited from glass photo plates
of the nineteenth century, was simply not relevant for 120 format film rolls.
One of the arguments is very simple : the film height is (very close to) 61 mm
which makes it compulsory to cut it (about 1mm) when mounting,
otherwise the slides will simply not fit in the 6x13 frame :-(
Cutting a horizontal slice of the film (or worse, one on top/one in the bottom)
is a hazardous task and a real nuisance, without any benefit to the final image.

So I will only speak here about modern stereoscopes dedicated to 80x140 stereo slides.

All the stereoscopes that I know in this category are fitted with 75 mm lenses
particularly the 3D World STL viewer, the 3D World illuminated viewer,
and the 3D World mounting jig.
This is non-sense, and a terrible design fault from 3D World.

Indeed, rather than choosing 75 mm for the viewing lenses,
the mistake was to escape from ortho-stereocopic conditions
by selecting 80 mm taking lenses for the 3D World TL120 camera.
What we should be aiming at, now, would be to save the pictures
taken with this camera
by looking at them in a 80 mm stereoscope.

This way, the depth in our TL120 images would not be flattened
as it is right now.
While losing a little bit of immersion
(which the TL120 images in a 75 mm viewer have a lot, probably too much),
we could recover the complete (nothing more, nothing less)
third dimension which we are looking after.

J-Paul


Subject: Re: Design fault in the 3d World system
Date: 2014-08-21 09:45:49
From: Don Lopp

On 8/21/2014 6:32 AM, Timo Puhakka tpuhakka@ymail.com [MF3D-group] wrote:
 

I am not sure of what you are saying. Is this the old argument about ortho vs non-ortho? In my experience a 5mm difference in viewer fl makes no noticeable difference to the viewer. I would expect that I have to rack out the lenses that much just to focus the slide for my aging eyes. This makes the image smaller for me. I prefer a larger image and would prefer a shorter lens to achieve it.


Am I missing something?

Timo
 

I am in full agreement with Timo.  My favorite MF viewers use 68mm and 45mm fl lenses.  I am not bothered by the theoretical assertion of flattening of the stereo image. I try to deal with the real World, not the theoretical , "ortho",musings from the past.
Cheers,

DON


Subject: Re: Design fault in the 3d World system
Date: 2014-08-21 12:12:52
From: John Thurston
On 8/20/2014 11:48 PM, jean-paul.nivoix@laposte.net
[MF3D-group] wrote:
> Hello all,I wanted to ask if any of you has modified a 3D World,
> or a 3D World compliant stereoscope like the Heydascope
> to fit 80 mm lenses
> instead of the regular 75 mm lenses ?

If you communicate with Larry Heyda with the specifications
(or samples) of the lenses you would use, I suspect he would
be willing negotiate a build for you.

I have made some modifications to my several 3D World
viewers, but always in preference to installing shorter
lenses rather than longer.

In simple terms, there is nothing magic. Remove the 32mm
diameter lenses and insert replacements achromatic lenses of
your choice. The focusing rack does not have a very long
travel. If you install shorter lenses, you will probably
need to reposition the lens assembly on the focusing rack.
If you install longer lenses, you will probably have to
insert a spacer between the slide carrier and the image "mask".

If you can find a "very old", first generation 3D World
focusing viewer, the lenses are very easy to swap and moving
them away from the film plan can be done without hacking up
the body of the viewer.
It looks like this:
http://stereo.thurstons.us/content/wp-content/uploads/2008/09/viewerfromfrontparallel.jpg
Notice the visible lens retaining rings. Later viewers lack
these external rings. The retaining rings on the later
viewers are reached from the back of each lens "cone".

80mm achromats aren't too hard to come by (when compared to
the availability of 65mm or 55mm) and aren't too expensive.
The hard part will be finding a 3D World focusing viewer to
use as the donor.

- snip -
> First of all, the 80x140 mm standard (thank you 3D world)
> for the MF stereo frame seems a very good invention to me :
> the former 6x13 (cm) standard, inherited from glass photo plates
> of the nineteenth century, was simply not relevant for 120 format film rolls.

In North America, prior to 3D World giving us the 80x140
plastic mount, many of us had been mounting in 80x132
cardboard mounts. From my perspective, the difference
between the "established" 80x132 and the "new" 80x140 mounts
were more of hassle than an improvement. However, if I had
been previously limited to 60x130 glass or metal mounts, I
would be with you in singing the praises of the 80x140
plastic mounts.

- snip -

--
John Thurston
Juneau Alaska
http://stereo.thurstons.us
Subject: Re: Design fault in the 3d World system
Date: 2014-08-21 15:14:17
From: Timo Puhakka

On 21-Aug-14, at 2:12 PM, John Thurston juneau3d@thurstons.us [MF3D-group] wrote:

 



If you can find a "very old", first generation 3D World
focusing viewer, the lenses are very easy to swap and moving
them away from the film plan can be done without hacking up
the body of the viewer.

How old are we talking? My viewer looks like the lenses are held in from the back. The final version has extensions to bring the focus a little further out. I wasn't aware there was a 3rd version.

Timo


Subject: Re: Design fault in the 3d World system
Date: 2014-08-21 16:54:02
From: John Thurston
On 8/21/2014 1:14 PM, Timo Puhakka tpuhakka@ymail.com
[MF3D-group] wrote:
>
> On 21-Aug-14, at 2:12 PM, John Thurston
> juneau3d@thurstons.us [MF3D-group] wrote:
>> If you can find a "very old", first generation 3D World
>> focusing viewer, the lenses are very easy to swap and moving
>> them away from the film plan can be done without hacking up
>> the body of the viewer.
>>
> How old are we talking? My viewer looks like the lenses are
> held in from the back. The final version has extensions to
> bring the focus a little further out. I wasn't aware there
> was a 3rd version.

I'm only aware of two designs. Rev-A with external, metal
lens retaining rings. Rev-B with internal, back-mounted
retaining rings. Rev-A would not focus past infinity. Rev-B
could.

The original viewer would have become available in China
very early in '08. My archives show me communicating with 3D
World on the subject in June, 2008. I received my first
illuminated viewer in September '08 from George Themelis
(DrT). By September 14th, of 2008, I had offered comments on
it and suggestions for moving the focus range.

By October of 2008, I must have taken delivery of my second
viewer (of the newer design with back-mounted retaining
rings) because I wrote George a note containing the line, "I
like the fact that I don't have to hack the viewer to get it
to focus for me"

So when I'm talking about the early version, I'm talking
about really early version. When do you think the next
version may have shipped?


--
John Thurston
Juneau Alaska
http://stereo.thurstons.us
Subject: Re: Design fault in the 3d World system
Date: 2014-08-21 19:17:40
From: Don Lopp
Hello Jean-Paul,

Regarding, "ortho", 3D, the current 35mm 3D community has survived without, "Ortho",since the advent of the Stereo Realist system in about 1948. The Realist camera taking lenses have a fl of 35mm, as do most of the other Realist format 3D cameras.  Most of the commercially available 3D  format viewers contained viewer lenses which had a fl of 44mm or longer.  If a MF viewer were to match this, {44mm/33mm x 75mm = 100mm}, it would have a fl of about 100mm. 80mm viewer lenses =254/80=a magnification of 3.2X.  75mm= a magnification of 3.4X, IMO a trivial difference.
Several Realist format viewers had 50mm fl lenses, equal to 113mm in MF.  Some European 3D viewers offered a choice of 45mm or 50mm fl. This worked because despite being non-0rtho they were, by any standard,  excellent viewer lenses. I did make a 35mm fl lensed viewer, which showed the weakness of going Ortho. The increased magnification, (254/35=7.25X), 7X, which was too much even with Kodachrome film, as too many emulsion short comings became visible. Most Realist format viewers offered a magnification  of about 5.8X, or less. (254/44=5.8X).

Cheers,

DON

Subject: Re: Design fault in the 3d World system
Date: 2014-08-21 23:32:46
From: jpnivoix

Sure Timo, you’ve got it, this is the old argument “ ortho. / non ortho. ”.

 

When you start playing with focals (keeping the same base, to make it simple)

you rapidly find out that immersion vs depth is a trade-off.

 

Increasing the perceived depth (in other words, stretching the axial dimension in the view), either by selecting a shorter taking lens for the camera, or using a longer viewing lens in the stereoscope,

will be immediately penalizing in terms of immersion. This is part of “the tunnel effect”.

 

Conversely, a higher immersion, obtained with a longer focal of the camera or a shorter focal of the viewer will automatically produce flat images.

This is what I don’t like with the 3D World system.

 

By chance, this  is the kind of trade-off where the central (equilibrium) point is perfectly known to us : it is called ortho-stereoscopy. Just as much immersion as in reality ; just as much depth as in reality.

                               ___________________

 

But I think you raise a very interesting question : if we cannot achieve pure orthostereoscopic conditions, when do we enter the domain of visual illusions and funny deformations ?

Will a 5 mm difference in the focal distance be noticeable ? and if it’s noticeable, will it be such a hassle ?

 

First I’d like to point out that the difference between 75 and 80 mm is almost 7 %.

When you consider the extreme sensitivity of human eye, and even more, human viewprocessor (our brain) you cannot directly put this apart.

 

But this is still theoretical debate, and this is not sufficient ;

you need to look at images, to make up your mind.

 

I did, and I compared a lot of pictures taken with my TL120 (80 mm taking lenses)

with those of the Spoutnik (75 mm taking lenses). But not from the same scene, unfirtunately.

 

My conclusion : apart from other differences (TL 120 images have no vignetting, they are sharper, etc …) the views from TL120 are somewhat disappointing. The presence (immersion) is incredible, sometimes in excess : you cannot perceive the edges, where the stereoscopic window lies.

But the depth is a bit poor : not much difference between 2 eyes opened and one eye closed, except for very close objects. The lack of vision of the stereoscopic windows reinforces this  disappointing impression, unfortunately, since you lose a milestone in depth.

The views from TL120 in a 3D World viewer are good -no doubt- and they are pretty  comfortable (apart from the immersion in excess). But making so much effort for 3D pictures, and getting flattened images, insn’t it a pity ?

 

Of course, in the highly subjective domain of visual impression, someone else may draw a different conclusion from the same raw material, and I will respect it … but if you are sensitive enough to feel a better immersion with a 5 mm difference in focals, you should be sensitive enough to feel the corresponding loss in image depth.

 

                                 _________________________

 

 

Regarding the comfort of vision provided by a shorter focal length, I do not believe it makes a difference (and I have aging eyes, too J). Let me explain.

Switching the stereoscope lenses to 80 mm will undoubtedly make the image look smaller

(but you cannot say “too small”, because this will be pure ortho-stereoscopic conditions).

And this -I agree- can be described as a “loss in immersion”.

 

But the visual comfort mainly depends on the accomodation distance of your eyes to the (virtual) image, not on the focal length nor the viewing angle.

This accomodation distance, you tune it by changing the distance between lenses and slides, making it a little inferior or very close to the focal length. This way you set the virtual image at a distance of 2m (recommended) or more (aged person).

Of course this is not possible on basic, cheap viewers like the 3D world STL viewer or cardboard viewers.

But on a viewer with a rack which carries the lenses, the tuning, resulting in the proper visual comfort whatever your visual performance, will be just as easy with 80 mm lenses as with 75 mm lenses.

Subject: Re: Design fault in the 3d World system
Date: 2014-08-23 00:27:46
From: Don Lopp
Subject: Re: Design fault in the 3d World system
Date: 2014-08-23 06:55:03
From: jpnivoix
I think that this historical point of view is quite interesting ...but not to demonstrate "the weakness of going ortho" (quote from your message)

In my opinion it simply demonstrates that only Medium Format is adequate
for ortho-stereoscopic viewing.

I may be rude to state it like this (but normally many readers in this forum
should agree :-)  ) 24x36 format is only good for projection
(and medium format stereoscopes will be used long after the last projection
of double 5x5 views with polarizing filters, don't you think ?
Subject: Re: Design fault in the 3d World system
Date: 2014-08-24 01:40:00
From: Don Lopp

On 8/23/2014 5:55 AM, jean-paul.nivoix@laposte.net [MF3D-group] wrote:
 

I think that this historical point of view is quite interesting ...but not to demonstrate "the weakness of going ortho" (quote from your message)

In my opinion it simply demonstrates that only Medium Format is adequate
for ortho-stereoscopic viewing.

I may be rude to state it like this (but normally many readers in this forum
should agree :-)  ) 24x36 format is only good for projection
(and medium format stereoscopes will be used long after the last projection
of double 5x5 views with polarizing filters, don't you think ?

Hello Jean Paul

     I am in agreement with your views concerning MF, when viewed in a high quality MF viewer.  I do not consider the 3D World focusing viewer to be a high quality viewer.  I consider projected 3D images to be significantly inferior to what can be seen in a high quality MF viewer. I recall reading that at an ISU Conference, several years ago, Dr Werners' MF slides were projected on a large screen, which amazed the audience, as the camera used to take them was an old Heidoscop, owned by Dr Werner. I am certain that if viewed in a quality MF viewer, the audience would have been amazed even more, as projected 3D does not ring my bell.

IMO, regarding "Ortho Viewing", digital 3D, more or less eliminates it being seen, except by accident, as the fl of the camera taking lenses is often unknown, when being presented, via the internet.

Cheers,

DON