He was a master stereo photographer whose format of choice was medium format film. I can think of no-one who was a greater master of the medium.
Don began shooting stereo cha-cha in in 1948. In 1950 he got his first stereo camera, a 7-perf Iloca I. Through the 1950s he went through a succession of 35mm twin rigs, using Leicas, Canons, and Minoltas, with a large variety of lenses. I believe it was during this time that he was also testing lenses for a consumer magazine. It wasn’t until 1995 that he began shooting medium format film and never looked back. His preferred films were Provia 100 and Velvia 50, and he eventually built his own MF stereo camera.
Don Lopp had a tremendous amount of knowledge and technical expertise in photography. And as long-time readers of the photo-3d mailing list would know, he was highly opinionated and stubborn in his views. If there were a poster-child for the meme, “Someone is wrong on the Internet!”, it could easily be Don.
I met Don through the Puget Sound Stereo Camera Club nearly 20 years ago. When I became interested in moving from a dedicated stereo camera to a twin rig, someone suggested that I talk to Don Lopp. I had read some of Don’s diatribes on photo 3d but had no idea he was in our club. We talked, and soon he presented me with my first support for a twin rig. Was it pretty? No. Don was not about form; he was all about function. In time, he became my mentor, and finally, a great friend.
Don helped me in countless ways with my photography, and was always generous with advice and equipment. (I’m sure many people on this list have experienced that generosity). I know I’ll feel his presence when I’m out in the field trying to crack a technical problem. I’m going to miss him a lot.
Bob Venezia
Seattle, Washington